free advice is adjusted to market price

free advice is adjusted to market price

nevver:

Danger

Danger

James Roper
I’ll pretend to be myself, and you pretend to be someone else - but does it float
I like the abstracted parts of people and almost-people

James Roper

I’ll pretend to be myself, and you pretend to be someone else - but does it float

I like the abstracted parts of people and almost-people

Alexis Rockman
The hunters had come, at last, beyond the satisfying supernatural… - but does it float

Alexis Rockman

The hunters had come, at last, beyond the satisfying supernatural… - but does it float

nevver:

Burning City (1926) , Gerardo Dottori

Burning City (1926) , Gerardo Dottori

Jonathan Runcio at Ratio 3 (Contemporary Art Daily)

Jonathan Runcio at Ratio 3 (Contemporary Art Daily)

Tomma Abts at Giti Nourbakhsch (Contemporary Art Daily)

Tomma Abts at Giti Nourbakhsch (Contemporary Art Daily)

tissie:

goya, witches’ sabbath, 1797-8oil on canvas

goya, witches’ sabbath, 1797-8
oil on canvas

Oceana, c. 195533 1/2 x 58 inchesoil on canvas
McCormick Gallery | Peter Busa

Oceana, c. 1955
33 1/2 x 58 inches
oil on canvas

McCormick Gallery | Peter Busa

curate:

Tamara Natalie via kusamapyjamas: oscillating: laeticia: katataksrainbow: blackstuddedlove

(via blackstuddedlove-deactivated201)

Tamara Natalie via kusamapyjamas: oscillating: laeticia: katataksrainbow: blackstuddedlove

(via blackstuddedlove-deactivated201)

I study history and poverty, and write case reports about pediatric radiology, in Chicago.
I mostly think about art, poverty, race, and feminism.
I try to put things here that I think are individually fun or compelling, and that are worth serious thought in combination.

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